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26 Hits for December 2021
Albums (0) & Images (26)

3 x Truth
date : 2005size : 17¼” x 11½”
medium : lithograph.
edition : 84 signed & no.'d
paper : .
price : SOLD OUT
notes : Trilingual meditative piece, produced in Bulgaria during Jones' visit in Summer 2005.
3 x Truth

Blairman Mao (Miniature)
date : 2004
size : 6” x 4”
medium : screenprint.
edition : 25
paper : Arches.
price : £350 per framed pair
notes : Pair of miniature screenprints produced by Brian Jones in 2004, portraying Bush and Blair on postage stamps.
Hand-rendered by the artist on Arches 88 300gsm, 100% cotton fibre paper with deckled edges, from a signed, numbered, dated, and titled Limited Edition of only twenty five framed sets.
Blairman Mao (Miniature)

Bury Him Under Milk Wood
date : 2009size : 11½” x 8½”
medium : collage
notes : In the eighth image of the series, Jones buries Dylan Thomas beneath the words of one of his best known works.
comment : “Llareggub.”
Bury Him Under Milk Wood

DT's Oblivion
date : 2009size : 11½” x 8½”
medium : collage
notes : Notorious for his drinking habits, Thomas ‘stars’ on the label of his very own brand of whiskey.
comment : “Inspite of his reputation for being a caner, it wasn't actually the whiskey that killed him.”
DT's Oblivion

Dylennon
date : 2009size : 11½” x 8½”
medium : collage
notes : Second in the ‘10 Ways To Kill Dylan Thomas’ series depicts the late DT in the role of John Lennon.
comment : “In Liverpool, the bands suffer from ‘the Beatles Syndrome’; for poets in Wales, they encounter the ‘Dylan Thomas Syndrome’. Make him the lead singer of the Beatles; it'd kill him, and anybody else …”
Dylennon

Eat Him Head First
date : 2009size : 11½” x 8½”
medium : collage
notes : First in the ‘10 Ways To Kill Dylan Thomas’ series, in which Jones exorcises the Welsh iCon, and serves him up on a plate.
comment : “Bon appetit.”
Eat Him Head First

Fire Him from a Welsh Longbow through the Strings of a Welsh Harp
date : 2009size : 11½” x 8½”
medium : collage
notes : The penultimate in the series is a two-part image, featuring the young Dylan Thomas.
comment : “These images are a plea for the modern Welsh poet, rather than a personal attack on Thomas or his works. His legacy of timeless writings need no further promotion(as they still stand on merit); up-and-coming writers should be prioritised and celebrated.”
Fire Him from a Welsh Longbow through the Strings of a Welsh Harp

Glân
date : 2009size : 11½” x 8½”
medium : collage
notes : Fourth in the Dylan Thomas series, with the poet as a prize-winning Welsh Black bull.
comment : “This is the prize that the ‘Dylan Thomas Industry’ commandeered after his death; once vital, now tamed and docile.”
Glân

In Memory Of The Cow
date : 2009medium : bronze.
size : 4½” diameter, 3” depth
weight : 2.2 lb/ 1 kg (approx).
edition : 9 individually signed and numbered in the cast by the artist.
price : £POA
delivery : please allow 28 days from order date.
notes : Brian Jones' ‘In Memory Of The Cow’ takes a Twentieth Century icon, and captures it in bronze.
These beautifully produced Pop Art objects, from the artist's hand-sculpted model, are issued as a signed Limited Edition of nine.
Cast at one of the leading Fine Art foundries in Britain, they are forged using the ‘lost wax’ process, with each individual piece hand-finished to the highest standard.
Housed in a titled clamshell presentation box, and wrapped in 100% silk (screen printed by the artist), ‘In Memory Of The Cow’ juxtaposes the humble, yet iconic burger, with traditional materials and methods, sending ‘fast food’ into the fires of Vulcan, to create this totemic new work.
Each bronze will also be accompanied by a letter of authenticity from the artist.
In Memory Of The Cow

In Memory Of The Cow.
date : 2009medium : bronze.
size : 4½” diameter, 3” depth
weight : 2.2 lb/ 1 kg (approx).
edition : 9 individually signed and numbered in the cast by the artist.
price : £POA
delivery : please allow 28 days from order date.
notes : Brian Jones' ‘In Memory Of The Cow’ takes a Twentieth Century icon, and captures it in bronze.
These beautifully produced Pop Art objects, from the artist's hand-sculpted model, are issued as a signed Limited Edition of nine.
Cast at one of the leading Fine Art foundries in Britain, they are forged using the ‘lost wax’ process, with each individual piece hand-finished to the highest standard.
Housed in a titled clamshell presentation box, and wrapped in 100% silk (screen printed by the artist), ‘In Memory Of The Cow’ juxtaposes the humble, yet iconic burger, with traditional materials and methods, sending ‘fast food’ into the fires of Vulcan, to create this totemic new work.
Each bronze will also be accompanied by a letter of authenticity from the artist.
In Memory Of The Cow.

In Memory Of The Cow..
date : 2009medium : bronze.
size : 4½” diameter, 3” depth
weight : 2.2 lb/ 1 kg (approx).
edition : 9 individually signed and numbered in the cast by the artist.
price : £POA
delivery : please allow 28 days from order date.
notes : Brian Jones' ‘In Memory Of The Cow’ takes a Twentieth Century icon, and captures it in bronze.
These beautifully produced Pop Art objects, from the artist's hand-sculpted model, are issued as a signed Limited Edition of nine.
Cast at one of the leading Fine Art foundries in Britain, they are forged using the ‘lost wax’ process, with each individual piece hand-finished to the highest standard.
Housed in a titled clamshell presentation box, and wrapped in 100% silk (screen printed by the artist), ‘In Memory Of The Cow’ juxtaposes the humble, yet iconic burger, with traditional materials and methods, sending ‘fast food’ into the fires of Vulcan, to create this totemic new work.
Each bronze will also be accompanied by a letter of authenticity from the artist.
In Memory Of The Cow..

In Memory Of The Cow...
date : 2009medium : bronze.
size : 4½” diameter, 3” depth
weight : 2.2 lb/ 1 kg (approx).
edition : 9 individually signed and numbered in the cast by the artist.
price : £POA
delivery : please allow 28 days from order date.
notes : Brian Jones' ‘In Memory Of The Cow’ takes a Twentieth Century icon, and captures it in bronze.
These beautifully produced Pop Art objects, from the artist's hand-sculpted model, are issued as a signed Limited Edition of nine.
Cast at one of the leading Fine Art foundries in Britain, they are forged using the ‘lost wax’ process, with each individual piece hand-finished to the highest standard.
Housed in a titled clamshell presentation box, and wrapped in 100% silk (screen printed by the artist), ‘In Memory Of The Cow’ juxtaposes the humble, yet iconic burger, with traditional materials and methods, sending ‘fast food’ into the fires of Vulcan, to create this totemic new work.
Each bronze will also be accompanied by a letter of authenticity from the artist.
In Memory Of The Cow...

In Memory Of The Cow....
date : 2009medium : bronze.
size : 4½” diameter, 3” depth
weight : 2.2 lb/ 1 kg (approx).
edition : 9 individually signed and numbered in the cast by the artist.
price : £POA
delivery : please allow 28 days from order date.
notes : Brian Jones' ‘In Memory Of The Cow’ takes a Twentieth Century icon, and captures it in bronze.
These beautifully produced Pop Art objects, from the artist's hand-sculpted model, are issued as a signed Limited Edition of nine.
Cast at one of the leading Fine Art foundries in Britain, they are forged using the ‘lost wax’ process, with each individual piece hand-finished to the highest standard.
Housed in a titled clamshell presentation box, and wrapped in 100% silk (screen printed by the artist), ‘In Memory Of The Cow’ juxtaposes the humble, yet iconic burger, with traditional materials and methods, sending ‘fast food’ into the fires of Vulcan, to create this totemic new work.
Each bronze will also be accompanied by a letter of authenticity from the artist.
In Memory Of The Cow....

Madollar (pink) (SOLD OUT)
date : 2003size : 30½” x 22½”
medium : screenprint.
edition : 25
paper : Arches.
price : SOLD OUT
notes : Also titled ‘Madollar’, and featuring Mrs.Ritchie as the ‘Queen of Pop’ on a $1 bill, this pink version is from a smaller edition, and is another of Jones’ commercial images.
Hand-rendered by the artist on Arches 88 300gsm, 100% cotton fibre paper with deckled edges, from a signed, numbered, dated, and titled Limited Edition of only twenty five.
Madollar (pink) (SOLD OUT)

Maudit
date : 2009size : 11½” x 8½”
medium : collage
notes : Third in the Dylan Thomas series, with Thomas portrayed as Richie Edwards with the Severn Bridge in the background.
comment : “There are parallels between Thomas and Edwards; both were talented yet tortured souls.”
Maudit

Mine Him Until Collapse
date : 2009size : 11½” x 8½”
medium : collage
notes : Fifth of the ‘10 Ways To Kill Dylan Thomas’, shows the writer's head being mined (and mined).
comment : “I reckon the people of Laugharne, which Thomas described as ‘the strangest town in Wales’ (I beg to differ!), must be a little bored of it all by now. I have friends who visited this year, and were totally underwhelmed by the whole ‘boathouse’ experience.”
Mine Him Until Collapse

Portrait of the Artist as a Young Dog
date : 2008size : 31” x 23”
medium : giclée.
edition : signed Limited Edition of 33
paper : Hannemuhle 265gsm 100% cotton rag .
price : £350
notes : based on his pre-millennial painting by the same title, which in turn was based upon the Dylan Thomas book (of the same title), which itself was based upon James Joyce’s ‘Portrait of the Artist as a Young Man’, in this literary tour-de-force, Jones finally lets the dog out. Grrrrrr!. postage : £6 UK : £8 Eur : £10 USA / Can / Aus. Please ask for cost to other areas.
notes : based on his pre-millennial painting by the same title, which in turn was based upon the Dylan Thomas book (of the same title), which itself was based upon James Joyce’s ‘Portrait of the Artist as a Young Man’, in this literary tour-de-force, Jones finally lets the dog out. Grrrrrr!.
Portrait of the Artist as a Young Dog

Rickenbacker Venus (SOLD OUT)
date : 2007size : 31” x 23”
medium : giclée
edition : 9
paper : 265gsm Hahnemuhle 100% cotton rag.
price : £250
notes : This dark blue beauty sees Jones combine Botticelli’s Venus complete with electric guitar, and the Sun Records logo. From a strict Limited Edition of just nine, numbered, titled and signed by the artist. Another classic image from the Brian Jones repertoire.
(SOLD OUT)
Rickenbacker Venus (SOLD OUT)

Round Peg Square Hole
date : 2006size : 31” x 23”
medium : giclée.
edition : 33 signed & numbered.
paper : 265 gsm Hahnemule cotton rag.
Third and fourth in the new target series, these two are also based on small oil paintings and are sold only in pairs. Jones again questions the notion of ‘Britishness’ by combining popular expressions with his whimsical eye. Are you a round peg or a square peg? Take a pair and alternate as the mood takes you!
From a Limited Edition of 33 pairs signed, numbered and dated by the
artist.
Sold as a pair - price : £400
Round Peg Square Hole

Send Him to New York City
date : 2009size : 11½” x 8½”
medium : collage
notes : The final image aptly ends with Dylan Thomas looking forlorn in NYC.
comment : “Ill-health finally caught-up with him on a promotional tour of America in 1953.”
Send Him to New York City

Send Him to the Magic Garden
date : 2009size : 11½” x 8½”
medium : collage
notes : Dylan Thomas, portrayed as the Magic Roundabout's Dylan the Rabbit and banished to the Magic Garden.
comment : “Dylan Thomas.”
Send Him to the Magic Garden

Shoulder To Shoulder
date : 2006size : 43½” x 32½”
medium : screenprint.
edition : 25 signed & numbered.
paper : Arches.
price : £350
notes : Third in the on-going series of his ‘future history’ stamp prints, which capture the political zeitgeist. This work was inspired by Asian Dub Foundation's track ‘Oil’. Loathe them or love, or love them or LOATHE them, both Bush and Blair's time in office will be defined by their actions in the Middle East; the consequences will reverberate long into our future.
From a Limited Edition of 33, signed, numbered and dated by the artist.
Shoulder To Shoulder

Square Peg Round Hole
date : 2006size : 31” x 23”
medium : giclée.
edition : 33 signed & numbered.
paper : 265 gsm Hahnemule cotton rag.
Third and fourth in the new target series, these two are also based on small oil paintings and are sold only in pairs. Jones again questions the notion of ‘Britishness’ by combining popular expressions with his whimsical eye. Are you a round peg or a square peg? Take a pair and alternate as the mood takes you!
From a Limited Edition of 33 pairs signed, numbered and dated by the
artist.
Sold as a pair - price : £400
Square Peg Round Hole

The Birth of Rock’n’Roll
date : 2008size : 31” x 23”
medium : giclée.
edition : signed Limited Edition of 33
paper : Hannemuhle 265gsm 100% cotton rag .
price : £350
notes : This colour companion to ‘The Rickenbacker Venus’, which also employs the classic Sun logo and John Lennon’s guitar as part of the composition, combines powerful cultural references which resonate down the ages.
The Birth of Rock’n’Roll

The Idiot Son (Miniature)
date : 2004size : 6” x 4”
medium : screenprint.
edition : 25
paper : Arches.
price : £350 per framed pair
notes : Pair of miniature screenprints produced by Brian Jones in 2004, portraying Bush and Blair on postage stamps.
Hand-rendered by the artist on Arches 88 300gsm, 100% cotton fibre paper with deckled edges, from a signed, numbered, dated, and titled Limited Edition of only twenty five framed sets.
The Idiot Son (Miniature)

The Withdrawal Method
date : 2008size : 30½” x 22½”
medium : screenprint
edition : 25 signed and numbered
paper : Arches
price : £350
notes : Fourth (and hopefully the last) in Brian's ‘Future History’ anti-war series of prints, this work looks at the best option currently available to ‘bolliticians’. “When in doubt, pull 'em out!” as he so laconically puts it.
Hand-rendered by the artist on Arches 88 300gsm, 100% cotton fibre paper with deckled edges, from a signed, numbered, dated, and titled Limited Edition of only twenty five.